Ó Dhaoirse go Saoirse?: Staidéar Téacsúil Aiteach ar dhrámaí Mhichíl Uí Chonghaile
نویسندگان
چکیده
Phillip O’Leary, in his 2017 An Underground Theatre: Major Playwrights the Irish Language `1930-80, makes a stark summation of current state language theatre, genre that he warns may ‘sink into oblivion’ (ibid.: 303). While undertaking comprehensive reading plays Mairéad Ní Ghráda, Eoghan Ó Tuairisic, and Críostóir Floinn, O’Leary only touches upon one Connemara’s most important influential contemporary writers, Micheál Conghaile, afterword. recognised as master short story, this paper will examine Conghaile’s dramatic works, focused on during period 2003-2009. mirror shifting political, social, ideological, cultural landscape Ireland last thirty years. Focusing Cúigear Chonamara (2003) [The Connemara Five], Jude (2007), Go dTaga do Ríocht (2009) [Thy Kingdom Come], address how subversive identities interact counteract with landscape, language, notion home family. Maintaining space, place, sex(uality) cannot be “decoupled” (Johnston Longhurst 2010: 3), unearth behaviours bodies within backdrop Connemara.
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ژورنال
عنوان ژورنال: Review of Irish studies in Europe
سال: 2023
ISSN: ['2398-7685']
DOI: https://doi.org/10.32803/rise.v6i1.3163